Friday, May 19, 2017

Power-saving mode

Recently, my work space has shifted, and I'm finding it's affecting me much more than I anticipated. Previously, I had been in a large team room with one other person, and we had control over the lighting in the room. As we both have issues with light sensitivity, this meant that the overhead lights were off most of the time. Additionally, the team room was in an out of the way corner, so there weren't many people who would drop by just to chat. It was a lovely space.

Now, my desk is in essentially the opposite of all of that. I'm in a cubicle surrounded by other people, many of whom are quite gregarious. I have no control over the lighting, and there are overhead lights in addition to two bit windows; as it's getting to be late spring/early summer in the Pacific Northwest, this means a fair amount of sun. It's definitely been an adjustment.

One thing that I noticed is that being in such an open space, having so many people around and near-constant interaction in person, is a lot more draining than I had expected. I've always been an introvert, so it's not completely surprising that dealing with people is draining, but it's become physically exhausting. Lately, though, I've found a way to help myself stay focused and productive - I let myself go into power-saving mode for a day, as needed.

When you look at your average smartphone, there are probably a dozen different processes running at any given time. The network is constantly checking for updates to the various social media feeds and email inboxes; different apps are in a state of readiness, waiting to reopen in an instant; and of course, it's ready and waiting for a phone call. This drains the battery, and the longer it stays in this state, the faster the battery will drain.

Putting the phone on power-saving mode helps the battery last longer until you can recharge it completely. It shuts off some of the processes that aren't completely essential - maybe you can force an update to your Twitter feed, rather than having every new tweet show up automatically. Things like that allow the phone to reserve its battery and focus its processing power on the essentials.

When I say I'm in power-saving mode, I am basically removing myself from the in-person energy drain by working from home or in one of the quiet rooms at my office. It's turning off the part of me that needs to be "on" when working face to face with people, being ready to handle any questions or random bits of chit-chat that come my way, and lets me focus on being productive with the things I need to do.

Ideally, I'll be able to adapt and not need to save energy this way every week, but in the meantime this has been helping me. I know I have a lot of introverts among my friends, so it might be worth figuring out when you can go into power-saving mode yourself, or what that would mean for you.

Friday, May 12, 2017

Words that hurt

I watched a video the other day that made me think. (Dangerous, I know.) One part of the argument being made was that it's not right to lump language that incites violence into the same category as language that hurts people emotionally, because it decreases the value of the words that incite violence. It took a little while for me to pick out why I didn't feel comfortable with that, but I think I have a handle on it now.

I was not a popular child. I read novels when I was six; had glasses when I was five (which, might I add, was in 1986, at the height of the Sally Jesse Raphael fad of glasses); and I never quite figured out that just because I knew something, it didn't mean that I had to tell everyone about it. I got teased a lot, is what I'm saying.

A lot of the insults rolled off my back, partly because I didn't see them as insults. OK, so I'm the teacher's pet - I can't argue with that, I frequently talk to the teachers after class about anything and nothing. I'm ugly - well, I'm certainly not what most people call beautiful, and Lord knows that puberty was not kind, so I can deal. I don't mean to say they didn't sting, and I spent more than my fair share of time crying in the bathroom, but I could move past most of them.

The ones that were harder to get over, though, were the ones where the intent was to make me feel like less of a person. An ugly kid is still a kid, but a bitch is something other than a 'normal' person. Those are the kinds of insults meant to treat someone like they are 'other,' to help define an 'us versus them' mentality.

Those insults hurt, of course, but they're more insidious than that. When you think about language that incites violence, it's frequently expressed along the lines of "Kill all the [slur]!" But think about how much easier it is to think that way, when you've already decided that some people are [slur]s, and so they aren't really people. Not people like you, anyway. And if they're not like you, well, it isn't like they really count, do they?

Language that directly incites violence is, obviously, a danger. But I don't think people should dismiss language that 'just' hurts emotionally - those kinds of words can make inciting violence much easier to swallow, even if you're not directly involved in the violence. There's a terrible power there.

Once again, friends, remember that words have power. Use them responsibly.

Monday, May 8, 2017

The musical Rent 20+ years later

Surprising absolutely no one, I was a theater kid growing up. I think I heard my first musical when I was about 11 or 12, and I never looked back. In 1996, the musical that all the theater kids fell in love with was Jonathan Larson's Rent.

As a kid growing up on military bases for the US and passing for white, I admit that I didn't really get a lot of the themes of the musical when I first heard it. It didn't keep me from listening to it over and over, memorizing the lyrics of "La Vie Boheme" even though I didn't understand all of the references. It was the show everyone was talking about.

This past weekend, I came across the movie of the musical that was released in 2005. I'd seen the show performed once in a theater, but never watched the movie, and so I decided to take a look.

The first thing that hit me was how many of the lyrics I still remembered - it's probably been at least 15 years since I've listened to the cast recording, but there it all was again. The second thing I noticed was how much of a jerk Roger is, holy hell. How that character didn't get just clocked, I'll never know.

Finally, the songs were a little different this time around. I always found the melody of "Will I?" haunting, and listening to it this time was no exception. But the first time I heard it, I was 15 - reasonably healthy, if a little out of shape; starting to feel the first signs of depression and anxiety, but not to the point that they were taking over my life. The idea of wondering if I would die without my dignity was incredibly far off to me.

Now? I'm 36. There are days when the depression and anxiety work together in their efforts to destroy me. My physical health is full of chronic problems that flare whenever they want to, meaning a "good" day could mean only needing a cane, or having a headache that doesn't leave me longing for the dark and the quiet. I've watched parts of my family come apart, and worked on creating a family of my own. The questions of that song are a lot more relevant to my interests these days.

Will I lose my dignity?
Will someone care?
Will I wake tomorrow
From this nightmare?

Friday, April 28, 2017

Writing a mystery

So I'm probably not going to make my Camp Nano goal for this month, and I'm at peace with that. I've had a chance to dig back into a story that's been languishing for a bit, and I'm enjoying that. However, it's definitely revealing some areas of weakness that I hadn't noticed before.

The story started as an urban fantasy setting, but, well, plot needs to be a thing, too. So my plot became a murder mystery, and that's where things got...interesting. I know who did it, and I have a decent idea of how, but I'm having a hard time 1) figuring out why (other than demons, but even demons need motivation) and 2) giving any of this information to the main characters. They're cops, so there are some things they're going to be able to get pretty easily. They're also cops familiar with the more fantastic elements of this world, so that will help. But what ties the victims together and how the cops will figure that out is still, well, a mystery.

I realize that part of this is what happens when I start writing without a complete, firm outline; at the same time, this is part of why I like the hybrid approach of outlining and winging it. Right now, I've just gotten to a point where I'm stuck after winging it for a bit, and I think I'm going to have to go back and outline from here in order to move forward.

Also, I need to decide just how connected the victims need to be. Victims of circumstance or opportunity are part of our world now, where someone's just crossing paths with a murderer because it's Tuesday or what have you. I'm just trying to figure out if that would be a cop-out - there is no connection, everything's random - or if it would be a bit too on the nose to have everything linked. If any of you have opinions on this, please feel free to let me know.

And now, back to writing. Have a good weekend, everyone!

Friday, April 14, 2017

Break for Norwescon

Norwescon was the first convention I ever went to, lo these many moons ago. I had been a geek for a very long time, obviously, but there was something very different about being a geek with a small circle of like-minded friends, and learning that there was a whole community of us. It was a little overwhelming, to be honest.

I'll never say that the geek community as a whole is perfect. It's made up of people, after all, and people aren't perfect - something it's always good to keep in mind. Still, there's something freeing about being surrounded by people who understand the excitement you bring when discussing books, movies, games, or other media. It's rare to be able to find someone who understands how exciting it is that a new book by a favorite author is coming out, and is willing to listen to you discourse about the pros and cons of the series.

Additionally, there's the joy of watching people learn about new things. There are frequently things that people will bring up, either during the panels or during random conversations, that I've never heard of, and never knew I needed in my life until that moment. There's something magical about watching someone fall in love with a media property, game, book, or any other thing that falls under the "geek" umbrella (which, frankly, is everything - being a geek is about how you love, not what you love).

Monday, April 10, 2017

Camp Nanowrimo Day 10

So far, doing pretty well! Also, I'm rather fond of this one, so have a bit of Steve and Human-Steve.

Steve was troubled, there was no other way to put it. Several of the humans had hidden themselves away in one of the smaller recreational rooms, and on occasion there were loud thumps and other sounds that indicated someone might be in danger. Any time someone would attempt to enter the room and see what the problem was, however, they were rebuffed.

Steve knew that Human-Steve was in the room, and had been for some time. It was not like Human-Steve to spend so much time around others, as he was what he called an “introvert” and preferred to spend time alone. Whatever was happening in that room must have been very important to the humans in order to draw Human-Steve’s attention.

Steve had walked by the door of the room again, trying to find the best way to enter without being noticed, when the door opened and Human-Steve stumbled toward the hallway. “Steve!” he shouted, reaching out in the human gesture called a hug. “Buddy, you gotta come see this!” Before Steve could move their tentacles out of Human-Steve’s reach, they had been grasped (gently) and pulled into the room.

Inside, the room was even louder than Steve had imagined. A large viewscreen took up one wall, and there were several moving symbols flying across it. In front of the viewscreen were two humans, each bouncing and moving their feet in some complicated method that Steve could not decipher. They looked up at Human-Steve, their confusion causing the hairs on their torso to curl.

“Dude! It’s DDR.” Human-Steve reached over to an open box and pulled out a can. “You know, I bet with all those tentacles, you’d kill at this.”

Before Steve needed to react to this frightening statement, the sound from the viewscreen ended, and one of the humans called to their roommate. “Your turn! Try to beat that score.”

“Hold my beer!” Human-Steve cried, which was greeted with many cheers. Steve had heard this phrase brought up in many conversations with humans, and wanted no part in watching their roommate attempt something either ridiculous or deadly. Or both. Steve fled in the ensuing chaos, hoping they would see their roommate again in one piece.

Friday, April 7, 2017

Q1 Round-up and Camp Nanowrimo Day 7

Starting with the second thing first, Camp Nanowrimo is going slowly so far. I believe I'm overthinking the Steve and Human-Steve drabbles, which is making it difficult to make progress. I also decided to spend some quality time with Living Cities, which right now involves reading through what I drafted and remembering what the devil was going on. Fortunately, reading through it is giving me inspiration to work on it again, huzzah!

And now, the round-up:

Words written YTD: 364 on one project (S&H-S). I did mention that it was going slowly, right? To be fair (or not), I hadn't actually written anything until earlier this week.

Writer-ly things accomplished: Technically I wrote a couple of short bits on Tumblr, but they don't feel like they count, somehow. Even so, I'm getting back into the swing of things.

New books read: Many comics/graphic novels, the first book of the Craft series (now nominated for a Hugo), and a book on the history of the severed head in science and society (appropriately titled "Severed").

Old books re-read: More Discworld, the first three books and many of the short stories of the Incryptid series